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The (Mostly Authorized and Highly Condensed)
Biography of Stephanie Urbina Jones
Some people seem to radiate from within. Their skin glows, their
eyes shine, their smile may be seldom seen but always subsuming.
Rightly or wrongly, I have come to associate this look with intelligence
and optimism.
In the case of Stephanie Urbina Jones that association is precisely
and profoundly right.
I am absolutely knocked
out by this young woman's sense of
life. Even her songs of sad subjects, death of a friend (Adios
Amigo Goodbye My Friend) and a dying grandmother (La Reina de Los
Angeles Queen of the Angels), are life affirming.
How does a young girl from a broken home grow up to be so positive,
able to bring a smile and a happy heart to a man old enough to
see the exit signs approaching?
Some debts cannot be repaid. When three
year-old Stephanie's
parents called it quits, she found solace in Carole King's
song, You've Got a Friend. She also discovered the power of
music to heal the mind and spirit, to create a world in which life
is a joyful adventure, friends are forever loyal, and attaining
your dreams is a matter of shared pursuit. For imparting this knowledge,
I owe King. For learning the lesson and sharing it with me, I owe
Stephanie Urbina Jones.
Serendipity always seems to have a role in the coming together
of talent and exposure to those necessary elements that will eventually
light up the world. In this instance, the traumatic experience
of nuclear family dissolution that drove her to Carole King and
music eventually brought her to reconnect with her Mexican roots.
It was during this period, in San Antonio and Fredericksburg, that
she learned to love all the styles of music heard in Texas, from
country to blues to mariachi to German oompah bands.
It was her Mexican-American grandmother (the abuelita in La Reina
de Los Angeles), Virginia Urbina Jones, who turned the key and
kick-started Stephanie in her present direction. As Virginia lay
dying she encouraged Stephanie to pursue her own dream. This sent
Stephanie on a journey of discovery delving into the family history
and her own desires.
She'd paid her dues, garnering a degree in Marketing
from the University of Texas at Austin, then working for years
in Nashville learning booking, management, publicity, and as a
songwriter contracted to Sony/ATV Tree. But she couldn't ignore
the feeling that writing the music wasn't enough if she wanted
to return the touch Carole King had bestowed on her own life. She
would have to sing.
Stephanie's music is universal poetry. Listen
to I Am Home and try to deny the deep psychological need in all
of us for someone to love. Listen to He Reminds Me of Texas and
ponder your own loneliness in a strange place, the lifting of your
heart at the sight of a familiar face. But for philosophical purity,
listen to God Loves It When We Dance. You cannot hear this song
without being shaken to your core by the revelation that human
happiness is the transcendently successful state of life. Yes,
it takes effort, but it's worth
it. Stephanie Urbina Jones knows it, lives it, writes about it,
and shares it with us.
One evening she and a few friends were relaxing at her home, rehearsing
some songs. She turned on the recorder. This became her first CD
release, Live from the River, a true homemade project she and her
husband Jason actually sitting around the kitchen table cutting
up old publicity photos and fitting them into the CD covers.
An initial pressing of 500 copies did so well that Stephanie and
Jason agreed to one of the most momentous decisions I can imagine
they mortgaged their home to finance a second CD in 2001. Self-titled
Stephanie Urbina Jones, these twelve original songs (including
the five mentioned above) honor her Texas roots, with homage paid
to her Mexican heritage by the use of a thirteen-piece San Antonio
mariachi band for several tracks.
Crisscrossing Texas for 6 weeks and fifteen thousand plus miles
visiting radio stations, Stephanie pushed her single of God Loves
It When We Dance onto the airwaves, and ultimately into the number
four spot on the Texas Music Chart.
Suddenly finding radio stations wanting
to play her stuff, acquiring a band of true believers, and enrolling
that all important group - investors became easy. She released
her second single from the CD, Shakin' Things Up, which
zipped to #1 (and stayed there for five weeks) on the Texas Chart
- the first independent female vocalist ever to do so.
Then came the request of a fan write some
Christmas music. In less than a week she'd written five new songs. In three weeks
she had mastered and produced The Spirit of Christmas. Three weeks
later she'd sold $10,000 worth. If you doubt that Christmas
music can sell that well to an increasingly cynical public, listen
to One Little Boy. Even an atheist will be touched by it.
So what's next for the little girl who wanted to touch our
souls? Who is left when you've sung with Willie Nelson, recorded
duets with Augie Meyers and Johnny BushS? Where to go after an
international tour to Japan to play for American troops abroad?
Grand Marshall for the San Antonio Holiday River Parade, bilingual
television and radio commercials, music videos, three songs in
the top ten of Texas music, spokesperson for a major auto retailer,
elected to the Board of Directors of the Texas Heritage Music Foundation,
featured performer at all the major Texas and Tennessee venues
it would seem there is not much left for her to conquer.
She will have a live album out soon, with
an Augie Meyers duet called Como Se Llama, Mama (What's
Your Name). She laughed as she was telling me about it, an experience
in itself. It will include some covers (Route 66, Crazy, Walking
After Midnight), along with more of her original favorites.
And the songs are already written for her next studio album. But
she is in no hurry. Planned for release in 2005, she is relaxing
with her newborn baby, allowing her subconscious the chance to
rest and recuperate. She has always relied on her own judgment
and inspiration, being sure of herself being most of the battle.
When the pieces are all on the table, we will get her very best.
I can hardly wait.
With a style born of all possible influences latin, country, blues,
jazz, Texan what we are seeing now is the mature sound of a woman
who has nurtured the innocent childlike vision of life as it ought
to be. Using all she has learned as a singer, songwriter, performer,
producer, and entrepreneur, Stephanie has become a carrier of passion
and joy. Until now Texas has been the primary beneficiary. Carrying
her spirit across one border at a time, the world is next. It will be
better for it.
From the little girl who wanted to reach
our souls, grew the young woman who has changed mine completely.
If you can feel the pain of living in your heart, if you can
feel the accumulation of dirt and disappointment on your spirit,
if you would like to feel happy and carefree for even a few minutes,
get this woman's music
on your player as soon as possible. Play it twenty times. Once
you know the words by heart, I promise the world will change because
you will.
Bob Gray
Freelance Writer
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